School of Economic Science - Study Forums

[Mark Stocks]

A BLAST FROM THE PAST (RULES OK) ?

Being born at the cusp of the moog, I suppose it must be difficult for man, machine and man-machine to be a unified mass of totally isolated alienated shiny robots, but from a distance it makes a lovely star! Isn't that where we wish upon? Isn't this the golden age of electronic music, or is it the dark side of the moog?
When Gary Numan graced the earth in 1979 with 'Are Friends Electric?' where were you? I was just 12 years old, ripe for the romance of alienation. The innocence of its soundscape was a perfect replica of the pleasure principle dying with the buzzing electronic tones of scattered flesh. It was too much to chew for the classical brigade but for the jagged saw tooth uninitiated it was electrifying. I was bitten by the electronic bug and began to discover the many diversities of electronic sound application, including classical interpretations. And when 'The Planets' actually start talking to each other as in the music of Isao Tomita, you know you are in the universe and not just the earth plane_station_airy. Of course the wood and brass of my turntable kept me here on earth and so learning how to appreciate the hammer and nails of music was and is a grounding experience. Scrapping a trumpet I couldn't play for a far more interesting old radio that didn't work properly I found myself enjoying morse code with the aliens. This was real music to me, the imagination was lit with electrifying communication at my finger tips. The emotional content was intense and wide eyed. I could resonate completely with the interference blocking out the usual musical forms of pianos and violins into a metaphysical like ra re KameLeon about to plant life on itself. This love of sound eventually grew into the realisation that the instrument is whatever we want it to be for better or for worse.
The need of maintaining a body that walks and talks on earth is an experiment that I have recently come across! Any advice would be most welcome! But what I have found is that the cheeky monkey needs to control its tongue, and it does so either by gracefully sticking it out and biting it off, or gracefully sucking it back in and swallowing it! But being back inside my tummy ready to pop out again got boring after a while so the last time I was born my teeth chattered faster than my tongue and now I have all these tongues around me saying different things!
Anyway someone once told me there was this blue bloke with a flute who was quite happy. So I began to invest_a_gate but I noticed that none of his followers had a flute, but they all had these instruction manuals that they shouted about at each other until they were blue in the face, but it didn't seem to work.....I must admit though they did seem to be sincerely trying very hard!
I didn't like to read or write and so I looked through t...he........_........_....P_age.......pip_e.........a.........n_d........._.be......g...._......a_n........t_o_.......typ_e................_.t_he........not..e_s... oh! Sorry got carried away!!!
As Brain points out, the illumination of the imagination is vital to understanding, and when the experience itself is known to be our very blood, it is to be a willing and sacrificial lamb. This rose tinted view of chromium beings may or may not be gold, but if our pains shall yell'ow' with grace, the true romance of being in this Present age may resonate like a trumpet blast of epic proportions!
The acid test; will the golden egg fall from teeth unscathed? Will she sail upon us through the apperception of a blinked eye?

MAS

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In Peace

And green

[Mark Stocks]

PHOTO SYNTHESIS (A MOOZ I K) N

See futures passing

Phfview chores

And seated choirs reach

Planted planet

Under standing skies

Toueach sign waves

Sin goodbye


MOO

------------

K

Ow.......bell e !

BreaK thru

Chilldrone life breath

A rattle

Some metal squeeks

And rings







No wander ?

[Mark Stocks]

ELEKT DRONE K MUSAK (KONE-X-SHINE)


Muskik face shift skreen

A working sure face x appearience

Heart t metal beat blip slip

And peep the sound shape

Image nation flicker flake s kin

And s nowse drop

............dancing


ICE

----------------

Who or what

Is k old ?

N metal friekshine

[Mark Stocks]

BASED ON THE INTELLIGENCE THAT (TECHNOLOGY)


Like windows n skin cease dis

N cease dat

And data glass dad I.D.

Idtear n mop m

Upmum



WAT


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That weathor door

And a nhouse

To live in on

Me commuter

[Mark Stocks]

THE IN GLAZE LANGUAGE (IMMAKULATE)


That born into and ov

Itself

A glass tube dub

N dip

Drivell n steam

Up


KON


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Sive fear n phill us with

Snakes snacks and stacks

N snog

The same one

[Mark Stocks]

TH MATH A TIK MA (A PEN IN CHARTGSHHHHHHHHH))) ) ) ) ) ) ) ) )


Math said that birth this

And knot

A ndish

And aside

Dish

That has many

More sites

That kone fuse

So eye site

N ye sit e s it e

S at ahhhhhhhhhhhhhh


AUP


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N spiekey sir call with moath r shapey

Used up

N up

Nope nope

N open

Satelite com

Dot union

Dom ran out e

N in

Side

Out a wow down town

And up we go

Butt knot in circle...

N wridte the wave

Good

Bpye chart

[Mark Stocks]

P.S. LUV THY GUITAR (ST_ING A BELL AND BEE HIAVE)


Straight string

Knot round

N round

N thrum drum

Dum thumb

Butt dome

Bmind thru

Pierce luvthly gita nik nik

Tnik tnok


HUN


--------------------------


Neigh neigh..............................bore

Shittey p wim brim

Stickey butt...

Useful

Every Now

And a cane

Mo r lasses n whey hey

Oh shit!

Hope I don't get in dbubble again

Cause...

I miss Chief

Oh well...

Dwelt t welt t welt

N felt a world

Fell t world

Heart n hurt

N help

At hand

N count a gown

And make up

Water ver we wand

T

K one

T

K one

T

K one

T

K one

T

[Mark Stocks]

PMBARK PMBARK


List n

Strike an ark

In the dark

N moo moo

N park a floo floo

T ma ma

Ta Ta


BLU


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Nik s kin

Floot

N Buttervul luv luv

Protection

And life

[Mark Stocks]

QUALITY (NOT IMPURE)


qualityqualityqualityqualityqualityqualityquality
qualityqualityqualityqualityqualityquality
qualityqualityqualityqualityquality
qualityqualityqualityquality
qualityqualityquality
qualityquality
qual


ITY


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World

A nice twirl

T

[Mark Stocks]

KOMMHAND MEANT (THEN)


Komment reach out

Khombe Heair

Every Now

And Then

That

Komet

Kome Home Her

Every Now

And Then

That


TEN


-----------------------


The Vfeil u r does not matter

It is Sacred

It is not matter

Bputt Mather Spir it Lit

Point Fignk r Leavf

And so Vfaith r said

That the spiking star spoke for a wheel while

And turned a Page That

Muvmeant Vfirmeantm

Then Vfam lily matters

Water ver they are

Pattern me

Sorry I meant

Button me

Sorry I meant

Batter me

Sorry I meant

Pad Ma Pad Ma

Sorry I meant.................................................


~ ~ ~ ~ ~ ~ ~



Pardon me



~ words~ov~water ~

[Mark Stocks]

AND THE TABLET TABLE T (LIT)


The clothes heavy

And floor

The clothes light

And lambp ent

Element All

In the gklass room

Pull pbulb p

N pmush

The cold Isee war

T melt

Twords wart n land mount

Being n benign

In Peace


LAM


----------


Ent r

[Mark Stocks]

THE NUMBER OF THE BEAST (A PETRIFIED POINT)


Dum thdum interlicht na ill

Counter aktongue akt r

Concentration relaxing itcellffffffffffffffffffffffff v

Into itssssssssssssssssssssssssssssssssssss elf

Nik s nik sssssssssssssssssssssssssssssssnake

Kisssssssssssssssssssssssssssssssssssssss nok

N open

The kites

Ov Heaven


XXX


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Poking fun at me plonker

N beat beating meself up

Over nothing

[Mark Stocks]

THE SKOOL (THE SOLE OBJECTIVE)


That Soul

From work I soul

Subjecting to aubm check t

Again again and again

And a grant

And a let go......................all

Goal Soul n done


DON


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S kool dude

N door

Aupmen

[Mark Stocks]

THE WARRIOR CHILD (SHIELD)


The harmonising screen

She heeled

Embraced in arms

And all that h Is

She is


SHE

[Mark Stocks]

THE SOUND PRECIOUS OV BITING A BIG APPLE (KOSHOCKA)


Me teeth

Deeper dB

Yumooooooozed up

A bla bla kore

N golden



MMM


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Stomak out a koma

And enjoy